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Types of Home Studio
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Time Out!
Q) What
are the absolute critical pieces for attaining professional sound? |
A) The most critical piece is always your
own creativity. No piece of gear can supplant that. But the items
that give that "professional sound" are:
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Ok now it's time to put it all together and make some decisions. So I am going to take you out there so you can see the "big picture". You will have an easier time of things if you can make at least some tentative choices about what you want your studio to be. So, what do you want the studio to become? Just a home electronica studio? Or a place where you can record your guitar and bring in the bass player and drummer sometimes? Or are you more upscale, and want a modern, clean, super powerful computer DAW running the show and you want it to do everything? Or maybe you have a garage or big room you can convert and are entertaining the idea of recording bands.
Below I came up with the typical options and listed the gear that it is important to get initially and that which you can get later. As you go down the chart we get into the frills and specialty gear.
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The Basic/Mixer Soundcard-Based
Studio typically 1-2 people recording track at a time |
The Basic "Mixerless" Studio typically 1-2 people recording track at a time |
The Basic Multi Track Studio good for small bands, songwriters, live/rehearsal recordings |
The Basic MPC Studio good for hip hop and electronica |
Large Mixer Based DAW Studio good for typical bands, synth studios, drummers |
The Large Mixerless
DAW Based Studio
good for bands, music composers, advanced electronica, audio-for-video |
Large Multi-track based
Studio with DAW add-on good for all kinds of work, approaches the pro studio |
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| The Initial "Core Gear" Comes First | |||||||
| Prerequisite: Average Computer with CD Burner and multimedia speakers |
Prerequisite: Strong Computer with CD Burner and multimedia speakers |
Prerequisite: High Performing Computer with CD Burner | Prerequisite: High Performing Computer with CD Burner | ||||
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Soundcard with MIDI i/o examples: M-Audio 2496, Emu 0404, M-Audio Delta 44 |
Audio Interface
with Mic Preamps and MIDI i/o examples: PreSonus Firebox,M-audio Firewire 410, Alesis IO14 |
Multitrack Recorder
with CD Burner examples: Zoom MRS1608, Yamaha AW1600, |
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Firewire Mixer example
Mackie Onyx 1640 and FW card
--or-- 8- bus Console (examples: MX9000, Mackie 24-8) and Audio Interface with analog i/o. Examples Delta 1010, Motu 24io |
Large Audio Interface
with ADAT option and MIDI i/o Examples: M-audio Project Mix, Tascam FW1884, RME Fireface 800, Digidesign Digi 002 LE |
24 track Multitrack
Recorder with ADAT or TDIF (24 bit)
Examples:
Akai DPS24MKII,
Tascam X48,
Alesis ADAT HD24XR,
Roland VS2480DVD |
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Sequencer Use what comes with soundcard to get started |
Sequencer Use what comes with interface to get started |
use keyboard's sequencer |
Sequencer Logic, DP, Cubase Sonar, Pro Tools LE, etc. |
Sequencer Logic, DP, Cubase Sonar, Pro Tools LE, etc. |
use keyboard's sequencer | ||
| 2+2 bus Mixer example Mackie 1402 VLZ3 | MIDI Interface | Additional Mic preamps | Premium Mic preamp | ||||
| Condenser
Microphone Example: Studio Projects B1 |
Condenser
Microphone Example Rode NT1a |
Mics
Large and Small Condensers and a Dynamic |
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Mics
Large and Small Condensers and a Dynamic |
Mics
Large and Small Condensers and a Dynamic |
Mics
Large and Small Condensers and a Dynamic |
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MIDI
Keyboard with sounds
Examples: Roland Juno-D |
Keyboard Controller | Keyboard |
Edirol PCR300 32-Key USB/MIDI
Keyboard Controller![]() |
Keyboard
example Yamaha 'Mo |
Keyboard | Keyboard | |
| Stands and Pop Screens | Stands and Pop Screens | Stands and Pop Screens | Stands and Pop Screens | Stands and Pop Screens | Stands and Pop Screens | Stands and Pop Screens | |
| use whatever speakers you have for now | use whatever speakers you have for now | Studio Monitors |
Studio
Monitors
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Studio Monitors | Studio Monitors | Control Room Monitors | |
| XLR stage Box or snakes | XLR stage Box or snakes | XLR stage Box or snakes | |||||
| Headphones | Headphones | Headphones | Headphones | Headphones | Headphones | Headphones | |
| Website for Music Demos | Website for Music Demos | Website for Music Demos | Website for Music Demos | Website for Music Demos | Website for Music Demos | Website for Music Demos | |
| The Basic/Mixer Soundcard-Based Studio | The Basic "Mixerless" Studio | The Basic Multi Track Studio | The Basic MPC Studio | Large Mixer Based DAW Studio | The Large Mixerless DAW Based Studio | Large Multi-track based Studio | |
| This Level Adds Devices that you want for Unique Sound and capabilities | |||||||
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Dynamic Mic
example Shure SM57 |
Dynamic Mic | Expand Mic Collection |
Example Rode NT1a
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Expand Mic Collection | Expand Mic Collection | Expand Mic Collection | |
| patchbay | patchbay | patchbay | patchbay | ||||
| Studio Monitors | Studio Monitors |
Korg
ESX1 Electribe SX Sampler |
tabletop CD player |
MIDI Modules
example: Access Virus TI |
Control Surface (if not included in interface) | Studio Room Monitors | |
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Effects processors Example TC Electronic M350 |
Software
Processors example: Ozone |
Effects processors example Lexicon MX200 |
Direct Drive Turntable
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Software
Processors
example: UAD-1 Ultra |
Software
Processors example: Waves Platinum |
Monitor Control | |
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Soft Sampler example Tascam GVI |
Plugin Boards for multitrack example Massenburg VS |
Sample CDs and DVD |
Soft Sampler example Kontakt |
Soft Sampler example Halion |
Plugin Boards for multitrack example: T-RackS VS Mastering Plugin |
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| MIDI Modules, Grooveboxs |
Virtual Instruments
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Grooveboxs |
Music
Computer
i |
Virtual Instruments example Stylus RMX
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SRX Cards for Fantom | ||
| MIDI Interface | MIDI Interface | MIDI Sound Module | 2nd Video Display | 2nd Video Display | Video Display for MTR | ||
| Turntables or other Unique Devices you may want | Turntables or other Unique Devices you may want | Turntables or other Unique Devices you may want | other Unique Devices you may want | Turntables or other Unique Devices you may want | Turntables or other Unique Devices you may want | Turntables or other Unique Devices you may want | |
| The Basic/Mixer Soundcard-Based Studio | The Basic "Mixerless" Studio | The Basic Multi Track Studio | The Basic MPC Studio | Large Mixer Based DAW Studio | The Large Mixerless DAW Based Studio | Large Multi-track based Studio | |
| This Step Adds stuff to "round out" your studio | |||||||
| Racks | Racks | Racks | Racks | Racks | Racks | Racks | |
| Studio Chair | Studio Chair | Studio Chair | Studio Chair | Studio Chair | Studio Chair | Studio Chair | |
Small
Condenser MicExample: Rode NT5 |
Small
Condenser MicExample Shure SM81LC |
Audio interface with ADAT Example: MOTU 828mk2 |
Monitor Control
example Mackie Big Knob |
Monitor Control PreSonus Central Station Studio Monitor Control Center
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24 ch audio interface with ADAT or TDIF Examples: MOTU 2408 Mk3 |
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Computer and Editing Software example Sound Forge, Peak |
Studio Room Monitors | Studio Room Monitors |
Computer and Editing Software example Sound Forge, Peak |
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Sequencer Logic, DP, Cubase Sonar, Pro Tools LE, etc. |
Sequencer Logic, DP, Cubase Sonar, Pro Tools LE, etc. |
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| Basic acoustical treatment | Basic acoustical treatment | Basic acoustical treatment | Basic acoustical treatment | Advanced Room acoustical treatment | Advanced Room acoustical treatment | Advanced Room acoustical treatment | |
| Vocal Booth | Vocal Booth | ||||||
| Studio Furniture as required | Studio Furniture as required | Studio Furniture as required | Studio Furniture as required | Studio Furniture as required | Studio Furniture as required | Studio Furniture as required | |
| Lighting | Lighting | Lighting | |||||
| The Basic/Mixer Soundcard-Based Studio | The Basic "Mixerless" Studio | The Basic Multi Track Studio | The Basic MPC Studio | Large Mixer Based DAW Studio | The Large Mixerless DAW Based Studio | Large Multi-track based Studio | |
| This Step May Add the expensive fine quality gear to get your studio more professional | |||||||
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Better
Preamp example: Focusrite Platinum Voicemaster Pro |
Better Preamp example FMR RNP |
Premium
Preamps
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Better Preamp example FMR RNP
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More Premium Preamps | More Premium Preamps | Preamps | |
| Better Digital audio converters | Premium Digital audio converters | Premium Digital audio converters | Premium Digital audio converters | ||||
| Better Digital audio converters |
2nd Computer System and Networking
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Add More
Digital Gear
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Digital Mixer/Control Surface with ADAT or TDIF
example: Tascam DM3200 |
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| Separate control room and studio room construction | Separate control room and studio room construction | Separate control room and studio room construction | |||||
| Upgraded Electrical, Audio and Data Distribution systems | Upgraded Electrical, Audio and Data Distribution systems | Upgraded Electrical, Audio and Data Distribution systems | |||||
| Furniture | Furniture | Furniture | |||||
| Separate Machine Room | Separate Machine Room | Separate Machine Room | |||||
| Larger audio-interface | Upgrade to a 24 track | Professional Console | Professional Console | ||||
The 1st level has what you need to get the project off the ground. The 2nd level we are adding the items to get the studio up to a state of completeness and on the 3rd level you will have everything necessary. The final stage adds the touch of excellence. You don't have to take things all the way. If, for example, you just want to make music as a hobby, you can just stop after level one.
You can always start out mixerless, if you have a fast computer, and add a mixer later if you think you need one. If you don't have a fast computer you can start with a small mixer and the simple soundcard your computer came with. These are not hard and fast rules. For example, there is a lot of ground between the 'basic/mixer/soundcard' approach and the 'Large Mixer based DAW studio". Of course you can use a 4 bus mixer and an 8x8 audio interface and end up with what we could call an "intermediate Mixer-based DAW studio".
After all, it's about the music. I provide this chart just so you have a sense of how studios evolve. Knowing this helps you avoid major blunders like investing in a DAW, MPC 2500 and a multi-track, then finding out later that you have three expensive pieces that all do the same thing. Of course you don't have to rigorously stick to these definitions. No one is going to bust down the door and say "Aha! What ARE you thinking! You can't have that effects processor in a DAW based studio, dude!" Your music might dictate a unique approach. For example, if you are doing hip hop, then you really don't need lots of soft synths, and turntables may be bumped up the list.
Which Sounds the Best? Go to the top of the page and read the 6 critical points. If you have great preamps, monitors, good mics and excellent converters you are going to sound stellar on any of the 24 bit systems, give that you learn how to use this stuff effectively. Even with the lowly M-audio 2496 you can add a Great River preamp and an Lucid AD9624 and some DynAudio BM5a monitors and sound like a million bucks, but those three items will cost more than the rest of your studio. Does greatness in sound quality happen with budget preamps and monitors? No. But goodness does. Add great talent and the result is still great.
And it is about money. For every item listed you have to make a decision on how much to spend, whether you will get new or used gear and at what quality (perhaps the most agonizing of the decisions). As you go through Tweak's Guide, you will find dedicated pages on the items listed above.
Q) Tweekie Dizzle! Wana d Hip Hop and the Rap, no wha Im sayin cuz Im da big popper. Uh, what is best? How does the MPC fit in?
A) Yo don't smack me with dat Best tish. They all can do hip hop. If your computer is strong and not some crap windows laptop go mixerless to start. You can go multi track but your timing has to be very tight to get those beats down. Or you could go with an MPC 1000 or 2500 (which is like a multi track sampler with its own sequencer) and follow the basic multi track scheme for the rest of the gear.
Q) I want to add music to my home videos. Nothing elaborate I'm not a composer. Just want it to sound great.
A) Either of the Basic systems will do. Get Sonar, or Acid, which allows you to lock together some audio loops and record stuff along with your video, do voiceovers, play guitar, etc.
Q) Tweak I want to write dance, techno, industrial all that stuff. Which is for me?
A) Start mixerless and upgrade with a lot of software instruments. Might want to get a synth that makes analog noises. Note you can crossover from the Basic mixerless rig to a Large mixerless rig by just getting a larger audio interface.
Q) We have a band of 5 old hippies--acoustic and vocals, piano, standup bass.
A) Basic Multi track systems. Get something with about 12 tracks or more. Groovy man. Strawberry Fields. Number Nine!
Q) Tweek You RAWK DUDE! Me boys do Zepplin like Led man and I'm the drummer and I want at least 9 mics on my kit.
A) The last 3 systems will work, but note you have to buy additional preamps if you don't go the large analog mixer approach. A Lot of drummers like the Onyx Firewire solution cause it can send a ton of channels to the computer at once. See you when the Levy breaks...(argh what has gotten into me tonight?)
Q) How come you don't list Control Surfaces under Multi tracks as an option?
A) Cause they generally don't work with them. They manage the mixer inside your computer software.
Q) I STILL DON'T KNOW WHICH STUDIO IS RIGHT FOR ME. HEEELLLP!! I LIKE TO BE SPOONFED. WHAT CAN I DO NOW?
A) So you are the guy always posting in ALL CAPS. Aha, a Spoonie too! Ok, read the Guide...oh rats you ARE reading the guide. OK, go over to the forums and PM all the top contributors!
No, don't really do that
Studio-central has tens of thousands of posts like the above where this subject is approached from every conceivable angle. Search and ye shall find!
Comment or Leave feedback on this article
Go On to the
Next Class
Freakin' out? Need to talk about these decisions? Ask Tweak and the Studio-Central Community in the "Ask your questions" forum. But be nice to him, he's answered these many, many many times. :)
Cool Quote:
Music, when soft voices
die,
Vibrates in the memory;
Odours, when sweet violets sicken,
Live within the sense they quicken.
Percy Bysshe Shelley (1792–1822), British poet.
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