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The Mobile Recording Studio

 GEAR for those on the Move!

Going 'Mo-Bile?
 Travelling for the Holidays? You can take the studio along! 



Mark of the Unicorn (MOTU) Traveler-mk3 Portable Firewire Audio Interface
The Traveler-mk3 provides eight channels of pristine 192 kHz analog recording and playback, combined with twenty channels of digital I/O in ADAT optical, AES/EBU and S/PDIF formats. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
RME Fireface 400 FireWire Audio Interface
Just another killer interface from RME: The Fireface 400 is the only one in its class with active jitter suppression, stand-alone functionality, off-line MIDI remote controllability, highly flexible I/Os in professional quality, an unsurpassed 648-channel matrix router -- at sample rates up to 192 kHz

Apogee Duet FireWire Audio Interface (Macintosh)
Duet is a portable audio interface that features the amazing sound quality that made Apogee Electronics famous. With control functions built directly into Apple's Logic Pro, Soundtrack Pro and GarageBand software, Duet empowers you to create professional recordings effortlessly.




Good to have a small controller board like this one


MAudio Axiom 25 Keyboard MIDI Controller


Roland Fantom-XR Sampler Synth Rackmount Module
The Roland Fantom XR delivers the power of the new Fantom-X series keyboards in a convenient 1U rack. With room for over 1GB of sounds - 128MB internal wave ROM and room for six SRX expansions, this affordable module sets a new standard for expandability.


Midiman Midisport 2x2 (Macintosh and Windows)  Add MIDI to your Notebook computer. 


AKG K55 Headphones  Tweak:  Don't forget these, unless you like the sound of one inch speakers.


A Midi and Audio Notebook Computer for Sequencing Anywhere and Everywhere

by Tweak

The holidays.  A time of traveling, often to see distant relatives and friends, loved ones and a time of good cheer. ...well that is how it is supposed to be, anyway.  But for the true tweak, the holidays can be rife with angst and anxiety, being separated from our true loves, our studios!  Up until this year, going on a long trip meant shutting down the studio, shutting down whatever projects were going, maybe grabbing a scratchpad or manuscript paper as you locked down, just in case a million dollar idea came to you as you lay in some strange bed, eyes wide open staring at the ceiling at 4am. 

But times have changed.  You now can please the significant other by going for an extended visit to your mother-in-laws for the holidays.  It will be quite a good time no matter what happens because you can now take the studio along, and it will all fit in a briefcase.  You've probably guessed I am talking about the amazing capabilities of the current crop of notebook computers for song writing on digital audio sequencers with soft synths and soft samplers.

A number of technological developments have made the portable DAW a reality, and they are not about to stop.  Witness:

  1. Notebook computers now have fast processors
  2. Larger memory capacity and disk capacity.  Check the specs.  Is it fast enough for any digital audio sequencer?
  3. The availability and low cost of software synths and samplers.  This is what kick-started the idea for me.  You can leave your midi modules at home and just bring your software stuff.  Of course it is exactly here where a problem will arise with all but the fastest laptops.
  4. The availability of a notebook friendly Firewire audio interfaces suitable for professional work.  I advise skipping USB altogether and going straight into a Firewire solution.
  5. The availability of small MIDI keyboards, and more towards the bleeding edge, USB keyboards or even software keyboards (that let you play the computer keys as a virtual keyboard. 

Does it REALLY Work?

Laptops are not anywhere near as robust as a desktop computer, so don't expect that, even if you go top of the line. These are often called "desktop replacement" notebooks as they are said to be able to do everything your desktop can do.  Don't bet on that with music applications that sync MIDI and Audio, which is a demanding real time task.   If there is an exception to the above, it is with the latest MacBook Pro.  Reports give it a big thumbs up and the MacBook and Mac Mini are also adequate.

I do not extend this assessment to all PC laptops.  Just because a laptop can capture Digital Video by firewire does not mean it can handle multi track audio and softsynths by  in real time.  Why is that?  Video can come in a whole second late and nobody will care, as long as it looks right.  With audio, we are recording in realtime along a playback track, and the CPU must be spot on, with as few delays as possible.  To do that the CPU has to work very fast.

Remember, a notebook DAW is a relatively new thing and you are on the edge.  Don't expect a store salesperson to answer the critical questions. Getting a powerful audio interface designed for soft-synths and samplers is key.  Firewire solutions, in my opinion, are those known to work best.  USB 1.1 audio interfaces can work well in track-at-a-time situations.  But if you want power, let 'em pass.  Go Firewire, or at least USB 2.0


What do I need to watch out for?

Some potential issues with older notebook computers. 

  • RAM More than 2GB is a good investment. 

Avoid Underpowered processors.  Sure a 1 ghz Celeron sounds good if you read just 1gHz.  I suggest you ignore the number and just read Celeron.  Underpowered! While a Celeron 1ghz will do many things quite fast, running soft synths is not one of them.  It's different than a desktop.  A notebook has to do some things that are CPU intensive that a desktop does not.  Notebooks have to constantly monitor battery power, and have the ability to shift gears to a lower power consumption mode and even "hibernate" if the notebook runs out of juice. Cool features, but they will not help you make music. You can turn these off when plugged to AC power.  Consider the MacBook Pro line for laptops that can take the stress of a MIDI and Audio system.  A 2.0 GHZ Intel Core 2 Duo--nice!

  • Disk size. The larger, faster drives are better.  On  newer laptop you may be able to add a firewire or USB2 hard drive up to 1 TB.  Now we are talking storage.  Of course a faster drive is always better.  If you have a choice between a 5400 RPM drive and and 4200 RPM drive can you guess which is better?  Your external Firewire drive should be 7200 RPM. 
  • Some of the newer software will not let you register and unlock it if it is registered on another machine, per your license agreement.  Microsoft is leading the brigade here.  Let's be thankful they don't make music software.  Dongle protected software is good because you just take the dongle with you.  Ditto for disk authorized systems, just take the disks along. And there is ILOK, a USB key that holds your authorizations that is being embraced by plugin makers.  Stuff that requires unlock codes might be troublesome, but will sometimes work.  Native Instruments will allow two different authorizations of all their recent products, which is great for those going mobile.  Lets hope the software industry doesn't get to the insane position where the music industry is heading where they expect you to buy a license for the car, for the home, for the laptop, for the mp3 player...
  • Many Notebooks come with an operating system installed.  Make sure it is the one you really want.  If its an older version of the OS the machine should be at a strong discount.  Don't pay full price for a Mac with Leopard (10.5) on it when Snow Leopard (10.4) is the current OS.  Same with Windows Vista vs. Windows 7.  Don't assume that merely upgrading your machine's OS will be as good as a new machine designed for the new OS.  Also keep in mind that the newest Apple laptops can run both Mac OSX and Microsoft Windows.  Using the Parallels Desktop you can run them side by side on the same monitor.  Want my advice?  Go MacBook Pro now. 

Did I scare you off?  Well lets look at the good side, what you can do!

Things you Can do with a Mobile Notebook computer

  • 1. Sequence absolutely anywhere.  Take it to the mountain retreat, (but don't go skiing with it, notebook batteries don't like being cold.).  Do it in your car, at the local coffee house, and when you muster up the nerve, show up on open mic night and dazzle the audience with your polyphonic atonal masterpiece built from sampled zippers and clothing rips.
  • 2. Take it along to mother-in-laws.  Offer, being the magnanimous person you are, to pick up some pies at the market.  Then get "lost" for several hours, running off the ciggie lighter power in the car.  Return a hero, with harrowing tales of being lost in the strange new city. 
  • 3. Of course, you can impress people.  Especially the vivacious friend of your second cousin's sister who happens to be around on your holiday gathering.  What a way to sell yourself by showing everyone in your close circle what you can do.  Playing back audio files is no problem
  • 4. Of course you can record your band, like any hardware porta-studio.  Given you have the appropriate multi channel interface connected.  I'd only try this with a very fast performing notebook though if you are recording more than 2 tracks at once.  (make 'em overdub, worked for George Martin and the Beatles..)
  • 5. Stick a decent mic (like those used for location location recording) and turn it into a full fledged digital field recorder.  Sure, a Hand held recorder might still be the smallest field recorder, but DUDEZ, DAT Yo LIL handheld Zoom Don't HAVE a 1024x768 graphic waveform display that you can monitor on the fly, now DOES it? :) (Sorry for yelling, but ONE of you guys started shaking your tweak) Your not going to be cutting or pasting anything on your handheld, or using infinitely variable software compressors to bring out all of natures sounds your ear can't detect.  Heh, nobody's thinking about this stuff yet 'cept maybe me, and you, since I just told ya, so now you know. 


A notebook, with a good audio interface and mics promises to make the finest portable digital recorder available today.  Yes I did say finest.  And I did say "promises".  Doin' it on an open road, mileages will vary, but you will be on the open road.  Sequencing on the mountaintops, in the valleys, in cheap cheesy hotels, which is where you'll be staying if the mother-in-law finds out.

All the Best,

Rich the Tweak


Other Articles on Sequencers and DAWS by Tweak

Sequencers and DAWS Index
Review of Cubase 5
Logic Studio 9
Pro Tools LE 8.1
Logic Studio 8
Review of Sonar
Review of Reason
Reason (1st review)
Ableton Live
Logic Pro 7
Logic Pro 6
Logic Platinum 6
Logic Platinum 5
Digital Performer
Sony's Acid
Vintage Sequencers
Early History of Logic
Mac vs PC for Music?
Project 5
Sequencer City!
Cubase SX (original)
Cubase SX3
Using a Mac Pro as your DAW
Using Notebooks as your DAW
Which Sequencer is Best?
MIDI Time Code and Sync Issues
Custom Bank Select Methods in Logic
Write a Sonar Instrument Definition File
Sequencers Price List
zZounds Sequencer Store



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